Peacock is loading the front half of fall with something for just about every kind of viewer, and it’s not shy about why: keep you watching weeknights, weekends, and everything in between. The lineup for Peacock September 2025 leans on a buzzy workplace comedy, a theme-park deep dive, daily game shows, and a horror one-off designed to spark social chatter.
The headline grabber is The Paper, a 10-episode comedy rolling out September 4. Think small-city newsroom chaos with big feelings. The show follows The Truth Teller, a 150-year-old Midwestern newspaper in Toledo, Ohio, where publisher Helen Holt is trying to drag a legacy institution into the digital era without breaking it in the process. The hook for fans of The Office is obvious: it comes from the same documentary crew that turned Scranton into a TV landmark, and Oscar Nuñez is back as Oscar Martinez—now drafted to help untangle years of creative accounting. Expect dry humor, hard pivots from print to clicks, and the kind of awkward meetings any newsroom veteran will recognize.
On September 29, Peacock leans into its Universal DNA with Epic Ride: The Story of Universal Theme Parks, a three-part docuseries that mixes rare archival footage with new interviews and a behind-the-scenes countdown to the opening of Universal Epic Universe. Theme-park documentaries often skim the surface; this one promises a closer look at the engineering, storytelling, and corporate bets behind the rides. It doubles as high-grade promotion for a massive new park and a legit peek at how these billion-dollar playgrounds come together.
Daily habits drive streaming loyalty, and Peacock is going straight at that. Starting September 9, brand-new episodes of Jeopardy! Season 42 and Wheel of Fortune Season 43 stream five days a week. That’s a big play for cord-cutters who miss consistent, early-evening rituals. Trivia and word puzzles might not trend on TikTok every night, but they lock in time slots and keep people opening the app.
Reality fans aren’t left out. Love Island Games Season 2 lands September 16 with Ariana Madix returning to host. The format brings all-stars from the U.S., U.K., Australia, and beyond into a pressure cooker of romances, alliances, and blindsides. It’s equal parts beachy escapism and competitive drama, with challenges designed to knock confident couples off balance and give underdogs a shot.
Then there’s Screamboat on September 12, a Peacock Exclusive horror movie riffing on the 1920s-era Steamboat Willie cartoon that sailed into the public domain. It’s a slasher with a clever, slightly wicked premise aimed at horror diehards who want something new for spooky season warm-ups. Expect Easter eggs for animation nerds and the kind of tight runtime that makes it a prime Friday-night pick.
Peacock is also stacking the shelf with movies people actually rewatch. Comedy-action staple 21 Jump Street, animated hits like Shrek, and classic horror like Psycho headline the refresh. Add-ons like Miss Congeniality, Puss in Boots: The Last Wish, Abigail, Back to Black, Brightburn, Knock at the Cabin, and Easter Sunday give you a decent spread for family night, date night, or solo-scare night.
Around the edges, September brings a mix of finales, premieres, and kids’ programming. Ninjago Dragons Rising returns with Season 3 on September 4 for all the budding Spinjitzu fans. America’s Got Talent closes out its 20th season on September 25, while the Law & Order universe fires back up on September 26 with Season 25 of the mothership and Season 27 of SVU. Access Hollywood turns the page from its Season 29 finale on September 12 to a Season 30 premiere September 15.
International offerings help fill the mid-month gap. Telemundo’s Aurora Season 1 and Buscando a Frida Season 1 arrive September 15, giving bilingual households and telenovela fans more to queue up. That steady drumbeat from different corners—scripted, unscripted, docuseries, kids’ animation—shows how Peacock is trying to reduce churn heading into fall broadcast season.
If there’s a thread across the slate, it’s balance: one splashy original (The Paper), one corporate-candy docuseries with real behind-the-scenes value (Epic Ride), daily comfort TV (Jeopardy! and Wheel), a sticky reality format (Love Island Games), and a cultural-conversation play (Screamboat). Add a reliable movie mix, and you’ve got a grid that keeps notifications popping all month.
Here are the standouts and when they land, plus a quick look at what each brings.
Movies also landing in September include: 21 Jump Street, Psycho, Shrek, Puss in Boots: The Last Wish, Miss Congeniality, Abigail, Back to Black, Brightburn, Knock at the Cabin, and Easter Sunday. That’s a tidy spread across comedy, horror, animation, and feel-good fare.
Why this lineup matters now: September is when streaming services fight to become your weekday habit again after summer. Peacock’s answer is a mix of comfort (Jeopardy! and Wheel), splash (The Paper and Epic Ride), and conversation starters (Screamboat and Love Island Games). It’s engineered to fill your watchlist without feeling like homework—and that’s the point.
Vida Yamini
The September slate on Peacock really feels like a thoughtfully curated playlist for diverse viewers.
It balances fresh originals new docuseries and beloved game shows.
The Paper promises a workplace comedy that channels the same observational humor that made The Office a classic.
Its setting in a small Midwestern newspaper adds a unique cultural texture.
The inclusion of Oscar Nuñez gives a nostalgic bridge for longtime fans.
Epic Ride offers a rare behind the scenes look at the engineering marvels of Universal theme parks.
For trivia lovers the daily Jeopardy and Wheel of Fortune episodes create a dependable habit.
In a streaming world consistency can be a powerful retention tool.
Love Island Games brings an international flavor that expands the reality pool.
The horror slasher Screamboat cleverly riffs on Steamboat Willie while delivering fresh scares.
The movie lineup features a healthy mix of comedy action and classic horror.
Families will appreciate the return of Ninjago Dragons Rising for younger audiences.
The strategic placement of law and order series reinforces the network's appeal to procedural fans.
The bilingual offerings from Telemundo broaden cultural representation.
Overall the schedule feels like a well‑engineered program designed to keep viewers engaged all month.
It’s encouraging to see Peacock invest in both novelty and comfort we all need.
James Lawyer
The September lineup demonstrates a strategic diversification across genres, which is commendable from a content acquisition perspective. By allocating resources to both original scripted material such as The Paper and reality formats like Love Island Games, Peacock mitigates the risk inherent in single‑genre programming. The daily continuation of Jeopardy! and Wheel of Fortune further solidifies its position as a reliable destination for habitual viewers. Overall, the schedule reflects a balanced investment in novelty and proven assets.
Abby Culbertson
i think screamboat sounds cool but i dont know if its good.
Awolumate Muhammed Abayomi
Wow the new docuseries Epic Ride is definately a must‑watch for anyone who loves theme parks. The behind the scenes footage will give you a thrillign peek at how these massive rides are built. It’s exicitng to see Peacock investing in such high‑quality content that goes beyond mere entertainment. This kind of programming can bring the community together as we all discuss the engineering marvels. Keep watching and sharing your thoughts it really makes the experience better.
Josh Tate
It’s great to see a schedule that mixes familiar comforts with fresh ideas, and I totally get the excitement around new shows. If you ever feel overwhelmed by the options just remember you can always pick what matches your mood that day. The variety really helps everyone find something that feels right for them.
John Smith
Honestly the biggest win for Peacock this month is the combination of daily game shows and a strong original like The Paper. Most streaming services neglect the power of routine, but Jeopardy! and Wheel of Fortune keep users coming back night after night. The Paper’s documentary crew pedigree gives it an edge over other newsroom comedies. And let’s not forget Screamboat – a clever way to tap into public‑domain nostalgia while delivering fresh horror vibes. Bottom line, September’s lineup is both smart and entertaining.